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two visions and one hypothesis: locations "common"

representations of places in which the common denominator is the presence of the place itself, where the observing subject is related with the observed object making to acquire as much subjectivity. The path is a path of both lasted for years, decades, in which John Margolies is small compared with the reality of the native American culture that is gradually disappearing, while George Tatge wanted to be a ' Italy unknown to many, made up of subtle spaces. It is the absence of man in their work the common denominator between the two shows, although the first is the architecture itself is shooting star, while the second is precisely the presence natural main actors of these scenes without time. Both
is as if they would stop the moment, creating blocks representing a single corpus that is disappearing as more and more. Margolies based his research on " forms " now lost, perhaps for the last time in the middle of their being, with clean streets, clear skies and no people in the background. Tatge instead appropriates the "black and white " to make the viewer participates in a 'hidden but real intimacy, which is the serenity of the catalyst of attention. Although their language is different, the end he wants to be the same, that of the rediscovery through a perceptive reading of not more rigid and schematic of what is part of our contexts, leading the viewer to never have to look without seeing and hearing without listening .

Perception of where you perceive absences

John Margolies : photographic exhibition American Roadside ARCHITECTURE

HC Andersen Museum, Via Mancini 20, Rome - 27 March / May 3, 2009

George Tatge : mosta Photo APPEARANCES. ITALIAN LANDSCAPES

Museo di Roma in Trastevere, Piazza St'Egidio 1-b, Rome, 6 March / April 5, 2009

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real - virtual synonyms and

light, energy and calculators tried, in 1985, de materialize a concept that man carries with it since he self-knowledge: its physicality. Les Immatériaux , an event created by the philosopher, JF Lyotard , he wanted to represent the fading of the subject, in a period when you began to appear on different levels of reality that are now part of our daily lives. The materialization of however, presupposes the being of a pre-existing matter, which is man himself, who over the years has managed to create a more and more not only illusory image of themselves, but also the environment that around him. This process has been generated in a situation different from that in which we act, or in the virtual one, created by the progress new technologies, which have generated the "other spaces " without borders. The desire to "virtuality" has materialized, however, always within human history, from the perspective, and then get to the photo, which have followed the film and television, with the latest in computer graphics (1) . Those that we have today are so different perceptions, daughters of the information they provide us with new systems. But what is basically an 'information? Lalande says: " .. information is an element of knowledge brought by a message that they have the support and the meaning of which it is " (2) , is nothing but a story that should not coincide with the concept of matter (3) ! But if this were true, can "information" to be "architecture"? (4) .
In this matter, which is the stuff to become architecture, the virtual world reverses the order of things, making it more space than anything else, changing its meaning into something intangible that it is virtual reality. Morosin , in its draft, from a concept is not concrete, projected on a scale far greater than that of humans, where they want but invisible points lead to the creation of a new art form.
still remain in this world without wires "invisible things" that can open a debate on the differences between conformation and representation of art and architecture. In fact, if the first, which involves work, conformation, remains largely representative, the second, which is based on a representative work, it should then become mostly complied (5) . But they are numerous solutions that may still be given to this combination between real and virtual , which sometimes change the order of its parts, while leaving the outcome still the same confused.

photo: cutout manifesto "The Immatériaux" Paris, Centre Pompidou

28 March to 15 July 1985

(1): See: R. De Fusco, "The Internet is not befitting the architecture," September 2001, p. 5

(2): See S. Lalande, "Critical Dictionary of Philosophy", May 1971, p.424

(3): See: N. Wiener, ".. you information is information not matter or energy", 1961

(4): See A. Essay, "New Subjectivity. The architecture of communication and information", September 2001, pp. 14-21

(5): See R. De Fusco, including above, pp. 5-13

Bibliography:

Tomas Maldonado (1992), "Reality and virtual," Milan, Feltrinelli

Dioguardi Maria David (1992), "Computer Architecture", Bari, Palomar

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against a monster of all colors, who can not see anything but the cat is

walking through the exhibition you can meet intent to seek the white cap to match her grandmother, negativity and positivity in the same match and see how a line can be translated into real space. You can have examples of how the oil should not be thrown on the canvas, how it is possible to sleep on the words and cancel time "physical" to allow the "free "blow off steam with all his might. They meet imaginary objects, fossils and forks of 2000 that would have much to tell you .. you live for a moment, or maybe even more, the curiosity of a man who views the world with curiosity and his way of approaching things. This alternation between forms daughters of his imagination that represent concepts and meanings that have lost their residual physical, and still images that incorporate within them references to functions that can interpret and translate, makes us understand how to communicate both signs that symbols during the period of his career (1) . Reverse the meanings, addressing issues in their own way at that time were the most popular, such as speed and time, recognizable in his work but not in the style of that period.
The sense of his "accomplishments" but lives on in all those who are his great admirers and unconscious, the children (including even those a bit 'more grown up) who, playing with paper, with signs and images, transform and see their private world made of colorful monsters, cats and even sometimes as a punishment for some of "nothing", realized! The discovery that more can be done is still that of a man who lived a very "behind the mirror , regardless of the" Hercules' columns "the other, allowing everyone to have something to do with his" white rabbit "in a time raised to the fourth dimension !

shows Bruno Munari, Museum of the 'Ara Pacis, in Augusta Lungotevere

Rome - 9 March 2009 febbraio/22

(1): See: L. Imbesi, "The brand showcased, in September 2008

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a successful season

We tell a story.

The president of a football club (which we call "inter") dismisses the coach with whom to few years regularly wins (so to speak) Italian league and cup. The coach has a contract that binds him inside for 4 long years to 6 million per year, more than € € less.

The President knows that the beauty will have to shell out 24 million if they will not find another place before the expiry of the contract (which is unlikely given that a coach question suck), but it's the Champions League that the president wants win at all costs, even to realize the dream of life, the President decides to take the risk. The president also is moved by a desire to prove to everyone, but especially to himself, to be as good as his father, as president of Inter, had won the cup 40-odd years before to 2 times.

The President hires a new coach, one of the best on the square, a coach, they say, "special", who a few years ago, a team with far more limited than what is offered now, it even managed to win the fateful cup long-eared. And 'the man we wanted!

But can a coach "special", hired to target a "special", demand a salary "normal"?

Certainly not! Said than done. The special salary is 12 million, which added up to 6 suck the coach make 18 million per year.
In addition the special

convinces the president to invest 50 million euro in new players "absolutely indispensable" for the realization of the dream. But we will not dwell on this point, we know how it ended ... and then everyone has their own Almiron, Andrade etc.

begin the dances and the special team, one to 18 million / year to be precise, in regular season wins (you always say) like when the coach of the duffer from 6 million.

And the dream? ... Here it is:

Group stage

Panathinaikos - Inter

0-2 Inter - Bremen 1-1

Inter - Anorthosis 1-0

Anorthosis - Inter 3-3

Inter - Panathinaikos 0-1

Bremen - Inter 2-1

Round of

Inter Milan - Manchester United 0-0

Manchester United - Inter 2-0

... and inter HOME!

If you were the president, and indeed, apart from being the president you were also an entrepreneur, as defined this season: "a successful season? "

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elle punishment: a ' architecture "small" separations

the " elle " place, which evolves and adapts, which generates, change the parameters that place and purpose by focusing on children , starting from an idea conceived back in '94 Fano and implemented since 2001 in several municipalities of Rome.

The beginning of a real view from below, focused on discovering, along the way, space-no space ... absence and presence !.

The " PIERREBì " drafted in the sixth town hall is based on the concept of wanting to allow a child to move freely, so that knowledge can be developed for him very educational. Hence the desire to try design a public space, focusing on the dynamism that you can recreate in architecture, defragging those solid "pure" and the ways in which the children themselves have always had to do, allowing them to have a familiarity with what is currently facing, is a different vision of the ordinary. Integrate in a system made to suit them, but they thought they designed on the basis of their primary need: to be children !.

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"The City of Children"

Based on the principle that "the city now dying from traffic, this project is based on an idea developed in Spain and Argentina, where children are those who will need to monitor the traffic situation. After the success abroad, it must be the publisher Francesco Tonucci the transposition of this "laboratory" in Italy, thanks to which you want to guarantee to children a greater awareness of what are their assets, also allowing the development of a citizenship from the earliest years of school (it is geared towards children aged 6 to 11 years). This initiative has had so successful that even the mayor of Rome has decided that it wishes to join, bringing the various municipalities to develop individual laboratories based on a "participatory planning" among architects and students of elementary schools, which led to the creation of some PIERREBì (zoning of boys and girls). Among the objectives of this new "city" there is also the intention of encouraging children to walk, thus preventing problems such as childhood obesity, and even sharpen their awareness of the environment, retraining those urban areas left abandoned and abandoned themselves. It therefore seems appropriate that the investment is to develop, as children

"are not a cost but an investment!"

"Children have a Plan"

"City of Children"

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Lippi and the inter

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29.urban_voids

" insert" a moment of silence in the ongoing discourse building, creating a zone which is not a real separation but rather a pause, a Between , creating "noise" between the opaque images that characterize the area.

• creating a public space like an outdoor market, but to ensure that the area has a place to meet and breath. (living creating +)
• have
  of pathways, galeries , in which the movement is accompanied by some permanent or temporary exhibitions. (Exchanging)
• geometry of the resume in its form and analyze it, defragment, according to the best access points and communicability, taking into consideration the visual quality that can be drawn. (infrastructuring)
• redevelop the portion of green adjacent to the railway track, creating a natural barrier that does not allow the noise of the train to invade the area, improving the bio-climatic conditions also. (still rebuilding)

16.urban_voids

point of integration between what is history , and then static, with dynamic of what rotates around (railway system, and Via Appia).

• educational playground that plays with the unevenness of the ground, creating areas of the city overlooking the movement and static moments where you can hear the silence between a car and a train. (living)
• rides and amusements for the children to whom to teach play and recreation for older people, which make them stop. (creating)
• spreads fixed and mobile services to allow you to animate the area with their constant coming and going (Exchanging )
• create a system of terraces at several levels for pedestrian routes to encourage the entrance to the lens. (infrastructuring )
• green pieces of "soft" replicating the serial nature of the railway line is going to fall apart and become increasingly more precise the closer we get to the Via Appia to create a row of trees. (still rebuilding )

6.urban_voids

transition zone and a major business park close to the kind of Caffarella, imperceptible to this' area but within easy reach.

• Park Service area in which they can refer to his "servants" and "visitors", which speaks of the largest archaeological park in Europe and the different mutations of which is perhaps the only witness the Via Appia. (living creating +)
• specific situations where dining is also available for hire to shoot better resources to allow the park or just to have fun (bicycles, scooters, skateboards ..). (Exchanging)
• take full advantage of the terrain also only by creating two levels that come into constant contact with each other through paths (infrastructuring)
• increase the green, creating a continuity with the Caffarella, trying to create a buffer in contrast with the high walls that blind surrounding the area. (still rebuilding)

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and meetings for a 'normal architecture

KIRO-SAN OBSERVATORY, Kengo Kuma

Yoshiumi, Ochi, Ehime prefecture, Japan, 1991-94

geometry varied capable of articulation between formal and environmental continuity and discontinuity, in which the path is the true protagonist of this architecture is not summarized by a single glance from the bottom up.

space and time almost coincide, taking the concept of but of Zen philosophy, which is nothing but an interval is the space between two elements, both to the time it takes to go from one place to another (1) . Building that reasons for cuts in the ground filled with full of light, where the presence of reinforced concrete is integrated in nature, creating environments environment, and bringing the architecture to be what it is! (2)
Beton brut crude reaches its destination, its purpose, namely to be able to communicate with the context surrounding it, thus becoming normal.

space-time paths of attacks that cause normal

(10 lines!)

photo: KU_MA - Observation_platform

(1): See T. Monnai, "A glossary of spatial concepts", in "Casabella", nn.608-609, file special issue dedicated to "Japan: a modern dis-oriented"

January-February 1994, pp. 14-19

(2): See F. Pure, in "The Italian measure of architecture"

".. then you will clearly see that today the word sull'equivoco architecture coincide with the environment, and for this all-encompassing concept irrelevant. L 'architecture is not the environment. It helps to create but can not identify with it "

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echoes faded - "naked bodies" of ancient Rome

Raffaello Sanzio was the first to realize that something was hidden, by defining the " architecture of the ancient world "as" the bones of a body without flesh "distant shadows now sfaldatesi from their original meaning. She sensed the need for color , feeling different sensations that returns now that quality early lost, not wanting "to please" those "skeletons dumb" too far away from what they actually were.
A totally new concept of 'altar, focusing on the' importance of polychromy to read this monument of the Augustan age, was in 2006 with the reopening of the new Museum of the Ara Pacis. Analyzed, especially the preserved fragments, led to the formulation of hypotheses related to the actual presence of color on the monument, especially in analyzing the background of the relief, since this is one element that sets the perception of the image. This has led to two different meanings to use light and dark backgrounds in the works of the Roman period. In fact, it is assumed that the light backgrounds have been used for landscape and narrative scenarios, while the dark backgrounds took on a more representative role. The blue would therefore not naturalistic connotations but rather monumental, classical and official, and the true change of tradition in early Christian period, there was blue when funds yielded up to the golden fund of the apse mosaics and frescoes depicting religious images.
Special attention was also given to the theme of nature in the light of about 90 different species present in the external face, arranged in a well-ordered hierarchical system, the use of which seems to want to latch on a process of rebirth and new prosperity of Rome due to Augustus.
is therefore important to overturn this difficult to accept the presence of color, now considered as a negligible figure, taking the file of the speech "classic" who maybe want to stay too closed in on itself, not considering the veracity of what is . The remains left to us are so different from what they were, changed over time but not advanced, no longer in relationship with some of their basic parts: the yellow the red and blue .

Image: Reconstruction of hypothetical Ara Pacis polychrome view of the north side

international meeting on the polychromy of ancient monuments COLORS OF AUGUSTUS , Auditorium Ara Pacis, Rome - March 11, 2009

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mother earth - the sense of wonder

Focusing on the objective circumstances related to today's face of mass globalization, it is possible, thanks to these scenarios really make some considerations on the human face: man is but one each ethnic group has its own physical features that make the difference visual identity! .

Teaching to see is perhaps one of the purposes of this exhibition, where you can compare different forms, receive and store the patterns and recognize even small differences. No two are alike and different skin colors, the attitudes of the people and the looks of the people themselves to give that impression. See also think what is far and what we are leaving behind, what could scare even why different to what we have here represented the most "practical" than in "theory."

The move enables the viewer to make a turn even greater, affecting near and far stages, showing a reality show whose real aim is to cultivate the sense of wonder .

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MOTHER EARTH photographic exhibition, Palazzo delle Esposizioni, Via Nazionale 194, Rome - 7 febbraio/29 March 2009

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Topos - Certification presence

In today's world is perhaps the photo that territory allows you to analyze the real by the personal parameters, allowing also a focus of our ability to develop a code of understanding for what is around us, isolating every little aspect you want to own. But if a release is also the son of an intuition, the ability to reach an objective point of view can lead to the photographer and architect to understand better the relationship that may exist between man and space around it, because too often we forget who the real star of "topoi . And it may be in part his testimony and in part form the basis of its ambiguity, becoming a subject in which real and artificial are enclosed in single brackets. He might then reason Henri Cartier Bresson when considering the target as an extension of our eye through which accept life in all its complexity and assimilating to an instrument is not suitable to answer the why of things being done to evoke rather . And if
each photograph is a certificate of attendance as described by the philosopher Roland Barthes, I can say I started to feel the UrbanVoids, trying not to cut them off from their single real data and trying to perceive the invisible place.

photo: Bruce Nauman - Square depression

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29.UrbanVoids

Hidden , interstitial even stuck can be considered the best terms to describe this area, nestled between Via degli Angeli (narrow street in the country of nearly two-way traffic) and the railway track. His view is therefore only possible by dots are not easily accessible to pedestrian level, even though it is difficult to imagine that it can run this type of risk being the area 29 placed in a residential situation only, it has been difficult and perhaps even more surprising to find a space similar to a collective meeting place. Among the various "for sale" and that one bed and breakfast you can take this series of streets close to Via del Mandrione also unaware of this slice of barren land and perhaps his being closed and mysterious could become his point strength.

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11 . UrbanVoids


• Area invaded by settlements not well defined, traveled to the north-east of Via dell 'Arco di Travertino that scroll as "enable" just cars.
• Area " empty", that does not fit in any way in touch with what is around, affording the luxury of not accepting anything definitive. • Area
free from the bonds of relationship, which has behind it a vast agricultural area with only "presence" of dubious nature. • Empty
between empty where there is only the passage of the machines.

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2.UrbanVoids

Area 2 seems to be a small and short extension of Villa Lazzaroni that is slightly earlier along Via De Cesare, and the context urban environment is not as if he were interested in seeing the same buildings around it does not surpass that much. It is therefore a 'free area fairly open, with a nice row of orange "bitter" (you can guess by breaking the leaf) along Via Marina which faces an even more sympathetic character who dispenses marriage proposals (ask my colleague !) and other types of advice. Along Via Baronio the area is being raised about a meter and here you can find the stop of ATAC, the 628, which connects the area to Villa Madama, thus creating a theoretical continuity between those two green areas, although our both much smaller! The same route is also feasible via the subway, there being a stop Furio Camillo Baronius and the intersection of Via Appia Nuova. The comings and goings of people and machines of the latter seems a stranger to this' area, perhaps due to a limited accessibility to private and a not so excessive amount of parking, and despite that undermines dell'autofficina a bit 'about abusive and perhaps more in the soil, the trees are the true stars of this UrbanVoid s .

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LUCIANO, forgive!