walking through the exhibition you can meet intent to seek the white cap to match her grandmother, negativity and positivity in the same match and see how a line can be translated into real space. You can have examples of how the oil should not be thrown on the canvas, how it is possible to sleep on the words and cancel time "physical" to allow the "free "blow off steam with all his might. They meet imaginary objects, fossils and forks of 2000 that would have much to tell you .. you live for a moment, or maybe even more, the curiosity of a man who views the world with curiosity and his way of approaching things. This alternation between forms daughters of his imagination that represent concepts and meanings that have lost their residual physical, and still images that incorporate within them references to functions that can interpret and translate, makes us understand how to communicate both signs that symbols during the period of his career (1) . Reverse the meanings, addressing issues in their own way at that time were the most popular, such as speed and time, recognizable in his work but not in the style of that period. The sense of his "accomplishments" but lives on in all those who are his great admirers and unconscious, the children (including even those a bit 'more grown up) who, playing with paper, with signs and images, transform and see their private world made of colorful monsters, cats and even sometimes as a punishment for some of "nothing", realized! The discovery that more can be done is still that of a man who lived a very "behind the mirror , regardless of the" Hercules' columns "the other, allowing everyone to have something to do with his" white rabbit "in a time raised to the fourth dimension !
shows Bruno Munari, Museum of the 'Ara Pacis, in Augusta Lungotevere
Rome - 9 March 2009 febbraio/22
(1): See: L. Imbesi, "The brand showcased, in September 2008
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