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real - virtual synonyms and

light, energy and calculators tried, in 1985, de materialize a concept that man carries with it since he self-knowledge: its physicality. Les Immatériaux , an event created by the philosopher, JF Lyotard , he wanted to represent the fading of the subject, in a period when you began to appear on different levels of reality that are now part of our daily lives. The materialization of however, presupposes the being of a pre-existing matter, which is man himself, who over the years has managed to create a more and more not only illusory image of themselves, but also the environment that around him. This process has been generated in a situation different from that in which we act, or in the virtual one, created by the progress new technologies, which have generated the "other spaces " without borders. The desire to "virtuality" has materialized, however, always within human history, from the perspective, and then get to the photo, which have followed the film and television, with the latest in computer graphics (1) . Those that we have today are so different perceptions, daughters of the information they provide us with new systems. But what is basically an 'information? Lalande says: " .. information is an element of knowledge brought by a message that they have the support and the meaning of which it is " (2) , is nothing but a story that should not coincide with the concept of matter (3) ! But if this were true, can "information" to be "architecture"? (4) .
In this matter, which is the stuff to become architecture, the virtual world reverses the order of things, making it more space than anything else, changing its meaning into something intangible that it is virtual reality. Morosin , in its draft, from a concept is not concrete, projected on a scale far greater than that of humans, where they want but invisible points lead to the creation of a new art form.
still remain in this world without wires "invisible things" that can open a debate on the differences between conformation and representation of art and architecture. In fact, if the first, which involves work, conformation, remains largely representative, the second, which is based on a representative work, it should then become mostly complied (5) . But they are numerous solutions that may still be given to this combination between real and virtual , which sometimes change the order of its parts, while leaving the outcome still the same confused.

photo: cutout manifesto "The Immatériaux" Paris, Centre Pompidou

28 March to 15 July 1985

(1): See: R. De Fusco, "The Internet is not befitting the architecture," September 2001, p. 5

(2): See S. Lalande, "Critical Dictionary of Philosophy", May 1971, p.424

(3): See: N. Wiener, ".. you information is information not matter or energy", 1961

(4): See A. Essay, "New Subjectivity. The architecture of communication and information", September 2001, pp. 14-21

(5): See R. De Fusco, including above, pp. 5-13

Bibliography:

Tomas Maldonado (1992), "Reality and virtual," Milan, Feltrinelli

Dioguardi Maria David (1992), "Computer Architecture", Bari, Palomar